All Critics (129) | Top Critics (34) | Fresh (118) | Rotten (11)
Each actor draws on a lifetime's worth of experience, performing with grace and rare, uncompromising realism.
There's nowhere to hide: The film cuts no corners and stings with the authenticity of life's fragility.
The movie avoids melodrama; instead, it's just extraordinarily intimate, with touches of visual poetry like the pigeon that gets into the apartment and won't leave, an image of our own heedless tenacity.
The film is a graphic portrayal of the unfunny end game we're all fated to play; the title is just a simple declaration of how best to play it.
"Amour" is also unforgettable and one of a kind, two hours of torment that, in the end, you will probably not regret.
Small, sure and stunningly acted, this is a picture of exacting control, which is to be expected from Haneke, whose works include Cache and The White Ribbon.
A viewer may want to watch Amour, because it is a work of art.
Relativamente doce para os padr?es de um cineasta acostumado a torturar seu p?blico e a encarar a humanidade com imenso ceticismo, representa uma experi?ncia dif?cil por nos lembrar o tempo inteiro de que todos dividiremos o mesmo desfecho.
A bitter, pitiless piece of work. We can admire its components, but we're repulsed by its vision.
Haneke's self-indulgent approach is getting old to me. His devoted fans will like it, but others will most likely be scratching their heads trying to figure out how this got a Best Picture nomination.
It's upsetting material lined with lead by Haneke, who searches for the meaning of love but can't help but dwell on the details of decay.
Amour is as heartbreaking and real as it gets.
Tough and beautiful, it secures Haneke's reputation as one of the world's best.
Two of the world's best actors, Jean-Louis Trintignant and Emmanuelle Riva, play Amour's octogenarian couple, so it's surprising that the characters aren't very interesting.
Haneke addresses the ravaging effects of aging in a starkly intimate way but Amour oddly lacks affectivity. Something that should be overflowing with emotion is strangely as sterile as Georges and Anne's Parisian apartment.
unforgettable portrait of old age
The audacious performances by both veteran actors are wonderful, and the film never resorts to cheap sentimentality.
Powerful and well-acted, this drama meticulously captures the pain and perils of aging in a way that will be hard to forget.
Haneke treats Georges and Anne with absolute respect, never pandering to sentiment or clich? and most assuredly not sugarcoating the experience of walking one's partner through suffering, toward death.
Haneke doesn't offer easy solutions or pat emotions. He merely offers us a chance to eavesdrop and holds a mirror up to our own fears of old age, hopes for love, and challenges through life.
A confident, lovingly articulated mood piece about a subject that is universal, yet rarely told.
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